A forthcoming auction of Royal jewels
This November sees the sale by Sotheby's in Geneva of the fabulous Bourbon-Parma collection of royal jewellery, which is set to fetch a cool $5 million. Among the treasures are several pieces which belonged to Marie-Antoinette. The most spectacular is an enormous pearl (26 mm x 18m) on a diamont pendant, estimated to be worth $1-2 million. There is also a necklace with more than 300 natural pearls ($200,000-$300,0000) and a pair of pearl drop earrings ($30,000-$50,000). A diamond parure made for Louise of France, grand-daughter of Charles X, contains five gems which also once belonged to Marie-Antoinette.
The provenance of the collection is impeccable. Marie-Antoinette's jewels were smuggled out of France at the time of the flight to Varennes. They were subsequently inherited by the duchess Angoulême who bequeathed them in turn to her niece and adopted daughter, Louise Duchess of Parma.
Sotheby's, Royal jewels from the Bourbon Parma family, 12 November 1918
Marion Fasel, "At auction: Marie Antoinette’s Jewelry", The Adventurine [Jewellery news blog]
Marie-Antoinette and her jewellery: a chronology
On their wedding day Louis presented his bride with a huge coffer containing the Crown Jewels traditionally reserved for the use of the Dauphine of France. The chest was nearly as tall as Marie-Antoinette herself and three times as wide; it was covered in richly embroidered crimson velvet with a robin's-egg-blue silk interior. Reportedly her hand shook with excitment as she opened it with a tiny golden key. The contents were valued at over two million livres. One of the most stunning pieces was a necklace of oversized pearls which had been worn by Louis XIV's mother, Anne of Austria. In addition Marie-Antoinette brought from Vienna as part of her trousseau a splendid set of white diamonds. It was uinversally agreed that the young princess magnificently outshone her wedding guests (Weber, p.47-8)
In the first years of the new reign, there were significant additions to Marie-Antoinette's personal jewellery collection. In January 1776 the Austrian ambassador Mercy-Argenteau, reported to Maria-Theresa that Louis had given his wife more than 100,000 ecus-worth of diamonds during the previous year; besides which, she already owned a "prodigious quantity", Among Louis's gifts was a pair of pendant earrings with pear-shaped brilliants which often appear in portraits.
|Marie Antoinette by Vigée-Lebrun. The pear shaped diamond earrings were probably a personal gift from Louis XVI|
|"The great diamond necklace of Srs Boehmer and Bassenge."|
Print, British Museum: 1889,0806.53
- Marie Antoinette was on close terms with Boehmer and called on him frequently for small jobs as well as substantial acquisitions. A letter exists, dated as late as August 1785 inviting him to adjust a diamond belt-buckle. This is consistent with Boehmer's behaviour, that, on their second meeting in 1776. he felt able to break down in tears in front of the Queen and plead with her to purchase the necklace.
- In 1774 Marie-Antoinette rejected a gift of jewels from Mme du Barry, but it was not the case that she refused jewellery associated with her on principle. Indeed Boehmer furnished her with a pair of earrings with enormous pear-shaped diamonds which had originally been intended for the former royal mistress According to Mercy she had a great desire to acquire them. Madame de Campan confirms that she could not resist them, despite the fact that the 360,000 francs they cost far exceeded her allowance and would take her four or five years to pay off In the meantime, she received yet more jewels from Louis, this time a parure of rubies and a pair of bracelets worth 200,000 francs. See Campan, Memoirs, ii, p.2 https://archive.org/details/memoirsofcourtof02campuoft/page/2
- It was by no means unreasonable for Boehmer to presume that Marie-Antoinette would be prepared to raise the money: "Court jewellers are, by nature and profession, deeply conservative; one should not be surprised that Boehmer and Bassange anticipated that Marie-Antoinette would buy their grand collier. Any previous French monarch or consort would surely have done so" (Pointon, p.157)
- Marie-Antoinette's admirers tend to assume too easily that she would not have been interested in the diamond necklace because of its heavy, old-fashioned style. Although lighter settings were coming into vogue for women, male Court jewellery remained heavy and ornate. Although she refused the purchase, Marie-Antoinette was clearly interested and later enquired what had become of the necklace.
- Madame de Campan maintained that, having had her white diamonds reset (presumably by Boehmer), Marie-Antoinette considerd her jewellery collection complete, and had "no interest in diamonds". This has an element of special pleading. No doubt Marie-Antoinette had badly overspent her personal allowance and intuited that a display of diamonds on the scale of the necklace was unlikely to improve her image. However, she continued to succomb easily to temptation. Maria Theresa remained critical of her daughter's fantaisie pour les bijoux. In 1776 she was forced to ask Louis for funds to cover a new bracelet that Boehmer had supplied to her.
Marcia Pointon emphasises that during the late 1770s jewellery continued to be important to Marie-Antoinette; indeed owning and acquiring jewellery became an significant component in her quest for a more personal identity. In the era of the Petit-Trianon, there was not so much an abandonment of jewels as a shift in how they were worn. "The notion that the Queen had no interest in diamonds originates with Madame de Campan and is repeated frequently as writers have misread the her gradual discarding of heavy parures as a disregard for jewels per se."(p.157) Imposing gemstones were abandoned in favour of jewelled ribbons and ornamental flowers. Even for more formal occasions the Queen preferred light settings and matching necklaces, pendants and earrings: feathers and ornamental hair pieces, as well as bracelets made of ribbons or small jewels also featured largely. The gemstones themselves became subsidiary to the ornamental motif and to a new emphasis on novel settings.
Germain Bapst, historian of the French Crown Jewels, notes that the great diamonds of state, which were placed at the disposal of Marie-Antoinette, were now worn in casual arrangements to adorn hats and hairpieces or as centrepieces in decorative arrangements - set negligently in an aigrette of heron's feathers, or as drops of water on garlands of flowers. In 1788 both the Sancy and the Miroir-de-Portugal diamonds were inventoried in a section "concerning the diamonds, brilliants, roses and semi-brilliants of the Crown, employed in the parures of the Queen"(Bapst, p.219) The great female parures were all dismantled and the jewels laid out on white paper so that they could be easily moved around or placed in temporary mounts. Since Marie-Antoinette invariably added some of her own jewels to the arrangements, it became difficult to distinguish the state jewels from her private property. Indeed in 1785 she successfully acquired a parure of diamonds and rubies which she had worn at the beginning of the reign and had had much augmented (Bapst, p.440)
See: Germain Bapst, Histoire des joyaux de la couronne de France d'après des documents inédits (Paris, 1889) , p.447ff.
|1787 portrait by Vigée-Lebrun shows Marie-Antoinette without significant jewellery.|
The gigantic closed jewellery cabinet in the background is perhaps meant to suggest that the Queen has set aside such frivolities in the interests of motherhood.
During the first months of the Revolution Marie-Antoinette demonstrated her opposition by making no concessions to the changing times. After August 1789 she pointedly reintroduced her most magnificent jewels, including diamonds, into her daily costume. When a delegation led by Bailly and Lafayette called on the royal family at Versailles on August 25th, Marie Antoinette chose to receive them in "an everyday gown, but elaborately decorated and absolutely covered in diamonds" (Journal of Mme La Tour du Pin, p.208
After October 1789, she adopted tricolour costume and purchased more cockades in order to express her superficial faith in the people's "new ideas". Although she had arrived at the Tuileries clutching a casket of her most valuable diamonds, she took to appearing in unfussy white bonnets and fichus. For the Fête de la Fédération she wore a simple white dress accessorised with tricolour feathers and ribbons.
One of the first acts of the Revolutionary Assembly was to take over custody of the Crown Jewels; according to Bapst,the King and Queen were initially permitted a few for their own use but by 1791 everything had been recalled to the Garde-Meuble. Madame de Campan explains the fate of the Crown Jewels. When the King was relieved of his responsibility for the Crown Jewels, the Queen was in possession of "those that she used regularly": twelve Mazarins, several rose-cut diamonds and the Grand Sancy - among the choicest diamonds in the collection. The Queen insisted on handing the jewels over personally to the appointed commmissioner. She is said to have insisted on presenting also "a string of fine pearls of great beauty" which had been brought to France by Anne of Austria and given to her by the King when she first arrived in france. According to Campan, she wished them to be regarded as national property.
Campan, ii, p.356
Campan recounts how prior to the flight to Varennes on 20 June 1791, she was responsible for packing and dispatching to Brussels all Marie-Antoinette's personal jewellery. Since October 1789 many items had been in the safekeeping of a loyal valet de chambre joaillier who had destroyed the original conspicuous red leather boxes marked with the Queen's insignia. Madame de Campan and the Queen were observed and denounced by a chambermaid after the recapture of the royal family. However,the jewels themselves reached Brussels safely in the care of Léonard, the Queen's hairdressor, accompanied by the duc de Choiseul.
Campan, ii, p.354
Marcia R. Pointon, "Marie Antoinette and the Diamond Necklace Affair" in Brilliant effects: a cultural history of gem stones and jewellery (Yale UP, 2009)
Caroline Weber, Queen of Fashion: What Marie Antoinette Wore to the Revolution (2007)Some surviving jewels which belonged to Marie-Antoinette:
The "Marie-Antoinette Blue" diamond
This blue heart-shaped diamond from the Queen's private collection is not to be confused with the great French Blue which belonged to the Crown Jewels. Marie-Antoinette brought with her from Vienna this greyish-blue gem which weighs 5.46 (metric) carats. The diamond was set in a ring as a gift to the Polish Princess Lubomirska in 1791 and later passed to the Potocki family. It was exhibited in Paris in 1892 and at the Exposition Universelle in 1900. Half a century later it featured in the 1955 Marie-Antoinette exhibition in Versailles. In 1967 the 'Marie Antoinette Blue' was sold at the Palais Galliera in Paris to a private European buyer. It was offered for sale by Christie's in Geneva in May 1983, remained unsold but was subsequently purchased by "a European private collector". Although it is not on public display, the diamond remains on the radar; it was exhibited at the MNHN in Paris in 2001 and in 2009 was the subject of a thoroughgoing technical analysis by the Gemological Institute of America:
See GIA Monograph, reproduced in Gem Trading p.46-
Wearing the Blue diamond?
Portrait in the musée Antoine-Lécuyer, Saint-Quentin
Diamond earrings in the Smithsonian
These pear-shaped diamonds are "believed to have been set in earrings that belonged to Marie Antoinette". Somehow they survived the depredations of the Revolution, to be given by Napoleon III as a wedding gift to the Empress Eugénie in 1853. They later came into the possession of Princess Irinia of Russia and were acquired by Pierre Cartier in 1920. The subsequent owner was Miss Majorie Merriweather, whose daughter Eleanor Barzin donated them to the Smithsonian. The setting was said by Cartier to be "original" but probably dates from the 19th rather than the 18th century.
Smithsonian National Museum of Natural History, "Marie Antoinette diamond earrings",
The Marie-Antoinette / Barbara Hutton pearl
|Barbara Hutton, photographed by|
Cecil Beaton in 1961
This strand of forty-four graduated natural pearls, is identified as the necklace which belonged to Anne of Austria. Its history since the 18th century is not really known, but in all probability it was among the Crown Jewels auctioned by the Third Republic and purchased by Tiffany's of New York in 1887. The necklace was bought from Cartier's a wedding gift for the Woolworth heiress Barbara Hutton in 1933. In 1999 it was auctioned by Christie's for the (then) record-breaking price of 1.6 million dollars. The purchaser was an "anonymous European buyer".
Marie Antoinette/ Barbara Hutton Single-Strand Pearl Necklace $ 1.6 million (sold by Christie’s in 1999), No.7 of "8 World's most expensive pearl necklaces" Amazing Beautiful World.
"Barbara Hutton/Marie Antoinette Pearl Necklace", Internet Stones.com (reference database)https://www.internetstones.com/barbara-hutton-marie-antoinette-pearl-necklace.html
Pearls from the Sutherland collection
One of the few individuals allowed to visit Marie-Antoinette during her imprisonment in the Temple was the wife of the British ambassador Lady Elizabeth Leveson-Gower, later Countess of Sutherland. When her husband was recalled to London in August 1792, Marie-Antoinette entrusted her with two small sachets, containing 21 natural grey tear-shaped pearls and a handful of diamonds. The gems remained in the Sutherland family until they were auctioned by Christie's in 2007. The Countess had them fashioned into a necklace for her grandson's bride in 1849; the original pearls are suspended on a ribbon of diamond and gold, wrapped around a collar of rubies and additional button shaped pearls.
Notice for the sale of the pearls by Christie's on Wednesday, 12 December 2007
"The Sutherland ruby. diamond and pearl necklace", The Court Jeweller, 31.07.2018
"Exposition : Marie-Antoinette à Versailles (1955) - Les bijoux", Marie-Antoinette Forum,
[Catalogue entries and photos from 1955, with details of several more potential surviving jewels.]