On 18th December the Pope announced the canonisation of the "martyrs of Compiègne", sixteen Discalced Carmelite nuns executed by order of the Revolutionary Tribunal on 17th July 1794. A procedure known as "equipollent" or "equivalent" canonisation dispensed with the need for intercessory miracles and instead recognised the long-standing veneration enjoyed by the nuns, who are held to have met their deaths with inspirational courage and unwavering faith. At the time of their beatification in 1906 they had been declared as martyred "in odium fidei" ("in hatred of the faith"). The nuns' story is well-known through art and literature. It was the subject of a novella written in 1931 by the German Catholic Gertrud von Lefort and also of Georges Bernanos's Dialogues des carmélites, which provided the libretto for the highly successful opera by Francis Poulenc, first performed in 1957.
![]() |
G. Molinari (1906), The Carmelite martyrs mount the scaffold, 1906. Carmel de Compiègne |
What were the circumstances surrounding the condemnation of the nuns of Compiègne and what do they tell us about the religious policies of the Revolution?
The following is translated from an essay published in 2009 in the Annales of the Historical Society of Compiègne, by Jacques Bernet, a historian who has researched and written extensively on Revolutionary dechristianisation in the local area. In his preface, he emphasises the need to move beyond hagiography to uncover the historical context. In his view, the Carmelites were victims of a tragic conjunction of personalities and political circumstances rather than a generalised ideology of anti-religious violence.